I'm gonna start this post off with a little smack-talk, because from here on out, it's gonna be so noxiously sweet that you're gonna wanna vom.
 |
| WARNING! She freaks out right here! |
So here it goes (and I'm dead serious about what I'm about to say, so consider yourself warned):
If I ask you if you've seen [insert title of Pixar film here] and you reply--with a crinkled up nose and a sing-songy tone--"oh I don't really like cartoons," I instantly think less of you. Like you might as well say that A.J. Pierzynski and A-Rod are your two favorite baseball players. Or that you root for Michigan. Or that you think Michele Bachma....never mind that last one.
 |
| I love lamp. |
Why? Because, first of all, if you think Pixar films are "cartoons," then you are a vapid moron* and I can't be bothered even talking to you. And second of all, if you're too hoity-toity for a little animated cinematic fun, then you and I were never kindred spirits in the first place.
Was that too much?
I really just needed enough ire and hostility to balance out what is sure to turn into some sort of a zippity-doo-dah, a-dream-is-a-wish-your-heart-makes, to-infinity-and-beyond gush-fest. Did I accomplish that goal? :)
 |
| I supported Pixar from the get-go. So please forgive me for Jar Jar! |
Pixar films are, as you might well imagine, a big part of our household. The million reasons we love Pixar so gosh darn much include, but are not limited to: the company's initial link to and support from George Lucas, our sincere appreciation for the animation and the art that goes into these films, the fact that we haven't even remotely outgrown "kid's" stories, and our incessant anthropomorphism of every single thing around us.
We have so many dorky little Pixar "favorite things." For example,
Finding Nemo was one of the first films we saw together as a couple, so it holds a special place in our hearts. In particular, I love the voice of Mr. Ray (the teacher) on the DVD menu. If you wait too long to start the film, he sings "Let's make a selection, a selection, a selection! Let's make a selection on the DVDeeeeeeeeee!" It makes me laugh. Every time.

Or remember the part in
Monsters Inc. where Mike is teaching Sully how to scare kids in bunk beds...and he's making Sully go back and forth, from the top bunk to the bottom bunk, like a drill?
Every time we see that part, Jay is like "WATCH! WATCH! This is hilarious!" And he's right. It is.
 |
| C & E's montage: Did they want us to completely fall apart?! |
And then there's the first 10+ minutes of
Up, where
one of us cried so hard when we saw it in the theater, that the
other one of us thought s/he was going to have to take him/her out to the lobby and get her/him an ice cream cone
and a puppy just to cheer him/her up. But I'm not saying which one of us it was who got so emotional during the film.
(Wasn't me.)
Anyway - on to the fun part...why Pixar warms the world. I am excited to say that this is the first blog subject that meets
all 6 criteria! Woo hoo! So let's have at it:
 |
| Heeeerrrreeee's Brucie. |
The wonderful, often intelligent, humor of Pixar is the first contribution we'll discuss. When Nemo and Dory find themselves at the shark "AA" meeting, listening to them recite the "Fish are friends, not food" mantra, it's impossible not to laugh at the many layers of humor taking place. I assure you, if you're sitting next to a little kid in the theater and you are both laughing at the same time during a Pixar film, I bet you dollars-to-donuts you're laughing at different things. There's something for everyone in these films. We all go, and we all laugh...often at the same time, but for very different reasons.
 |
| A great artist can come from anywhere... |
Pixar also emphasizes the importance of focusing on the public good. In
Ratatouille, we're reminded that "anyone can cook"...and the snobbishness of fine cuisine is taken down a peg or two by one adorable little rat (and all the other cutie puff-ball rats when they come out of the dishwasher!). This is just one example of Pixar infusing more democratic ideas (little "d", not big "D") into their films.
Another example is the short before
Toy Story 3,
Day & Night. With no words--and some of the coolest animation ever--we are given the opportunity to think about how we all see the world from various perspectives. We learn not to fight about it. We learn about appreciation of differences and the value of teamwork. It was stunning...both in terms of the art, and the content and delivery of the message.
 |
| The brave little robot... |
I know there was a lot of griping about the heavy-handed messages in
Wall-E...because encouraging people to take care of the earth and their health is pretty controversial stuff...or remembering to exercise your body as well as a healthy skepticism of corporations is just too much to ask. Ugh...there goes my ire again. Anyway...although
Wall-E may have been a little forthright for some folks, I think it's an important example of a company acknowledging their power in the market and their potential role in society, and then taking risks with their product. If they caught flack or lost audiences because they chose to advance a timely and critical message, so be it. Sometimes we have larger responsibilities to which we must attend. PS:
Wall-E grossed over half a billion dollars...so...whatever.
Pixar obviously warms the world through it's optimism and enthusiasm. Given it's connection to parent-company, Disney, this is just a given. But I think this newer style of coupling optimism and enthusiasm with sincerity makes for a refreshing way of looking at the world. Optimism and enthusiasm are a little less
Hakuna Matata than they've been in the past. They're more...I don't know...
real.
 |
| I'd like to help, but there's nothing I can do... |
While the optimism and enthusiasm part of Pixar films is formulaic, to be sure, I think there is a reassuring sort of humanity and honesty to this new genre of family films. Yes, everything ultimately works out in the end...the day is saved and everyone lives happily ever after. But I think we see some genuine struggles taking place. Mr. Incredible has a mid-life crisis and aches to matter again in society. Carl grapples with honoring the loss of his wife while pursuing the dreams they once shared as a couple. The characters in the Toy Story films (especially the third installation) strike a balance between letting go and hanging on to childhood.
 |
| Robo-love |
In my humble opinion, the best example of optimism muddled with sincerity is the development of the relationship between Wall-E and Eve. It absolutely breaks my heart every single time I watch it. Poor Wall-E. He may not seem a prototypical Prince Charming, but he is so patiently persistent as he strives to woo Eve. All while she's brashly blasting everything around them to smithereens. This strikes a particular chord with me, because I'm quite certain that scene could be retitled, "Jay's Courtship of Emily: April - June(ish), 2003."
These first four criteria really focus on the films and products of Pixar. For the last two criteria, I'd actually like to focus on the organization and its roots.
It goes without saying that unabashed glee is as much a part of the Pixar
process as it is the Pixar
product. These people love what they do, and they know they are beyond fortunate to be able to do it for a living.
Brad Bird once said about
John Lasseter, "So many animated films have tremendous skill on display, but it doesn't look like anyone had any fun making them. One of the things I love about John's work is there's absolute joy in it!" (Paik, 2007).
Pete Docter (a Minnesotan!) had his work described by a former teacher as having a certain "joie de vivre" to it, thus making him an obvious co-conspirator for John Lasseter. Joy abounds at Pixar. And the world is a better place for it.
Finally, when you look at the roots of Pixar and where it really came from, you see a history infused with intellectualism. These were people who dreamed of making a full-length, animated movie...with computers. That was the whole goal. While the company eventually honed their business smarts, they valued intelligence--
academic intelligence--from the get-go. In fact, in the early days, they were much more committed to more academic notions of success than they were with commercial success.
 |
| John & Ed |
Some of Pixar's earliest roots can be traced back to
Ed Catmull, a physicist and computer scientist. He talked about "intellectual openness" and the importance of not being secretive about their work...about bringing in the best minds and making sure people were feeding off of one another's progress. John Lasseter described how Pixar (in those days, it was the Lucasfilm Computer Division) was a melange of the smartest PhDs, artists, scientists and programmers that Ed could find. Because Catmull was so intentional, from the outset, about engaging the academic community as he worked towards the goal of expanding the possibilities of computer animation, there is an entirely unique ethos at the core of Pixar today.
So there you have it...Pixar warming the world in more ways than you can shake a stick at. And we know they'll keep doing it...to infinity and beyond!
_________________________________________________
A couple quotes and a lot of information in this post was gleened from the book
To Infinity and Beyond! The Story of Pixar Animation Studios (2007). If you have a Pixar/Disney fan in your house, this book is a must! It is gorgeous and well done and funny and rich with information and beautiful pictures. If the person you purchase it for is lucky, they might even get to read it someday...or at least that's what Jay keeps hoping....
*My editor told me to remove this sentence because it was offensive and inappropriate. I told him that it was intended to be a joke. He said that people might not get it. I said that if they don't get it then they're vapid morons and I can't be bothered even talking to them. We're still at an impasse...